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Michael Matthews' gospel drama, Who Can You Trust?, starred Brent Carter in the lead role of Joseph. Other well-known cast members include:
There were more than 50 show dates in many U.S. cities from February through May 2002, including this appearance in Lexington, Kentucky:
Review: Who Can You Trust? leaves
humor 05/15/2002 By LAWSON TAITTE / The Dallas Morning News. Who Can You Trust? is a Christian melodrama punctuated by gospel songs. Its best moments, though, lie in its comic exaggerations. Michael Matthews' show opened at the Black Academy of Arts and Letters' Naomi Bruton Main Stage on Tuesday for a week's run. Like other plays of its kind, it relies on a simple opposition of the bad and the saved. But directors Kene Holliday and Hawthorne James have guided a strong cast into performances more telling than usual. The hero, Joseph Powell (Brent Carter), is a modern Job who loses everything in a single day. His misfortunes come not from a divine negotiation but from his wife (BernNadette Stanis) and business partner, Richard (Theo Williamson), who clean out his house and his bank account for their own nefarious purposes. Mr. Williamson might as well be the Book of Job's Satan. He's bad, bad, bad. The evening's headliner, Tony Award-winning actress Melba Moore, actually has very little to do. A momentary appearance in the first scene, complete with heavenly music, tips us off that she's an angel in disguise. Otherwise, she just keeps on appearing at odd moments holding her blessed quilt. Brent Carter and Bernadette Stanis are a husband and wife with relationship trouble in Who Can You Trust?. Many of the show's funniest scenes come at serious moments, and no, they are not being botched. Mr. Matthews just allows his bad guys some good punch lines. Mr. James makes an appearance as a gangster who frightens Mr. Williamson. One of his threats is to turn Richard over to his henchman, Country (Dave Tolliver), for sexual purposes. Gay jokes as usual in this genre also crop up in a lighter scene when the silly pimp Cleophus Brown (Bobby Law) turns up with a transvestite client (Ron Ramsey). Mr. Ramsey's costume alone is enough to set the audience atwitter. The show seems to have been rewritten at some point recently. Whole scenes in a courtroom, as well as apparently important characters, have been omitted.
Naturally, the show isn't over until the Tony lady sings. Ms. Moore (see photo at right with Brent) dashes off her solo toward the end. E-mail: ltaitte@dallasnews.com |
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© 2002, Brent Carter. All rights reserved.
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